What the critics say...
Sounds Thrilling - Stephen Farr plays the organ in Blackburn Cathedral
David Briggs Missa Pro Defunctis / Duruflé Suite Op. 5
- "Missa Pro Defunctis was commissioned and premiered by Stephen Farr in 2004... thrilling it certainly is. If you enjoy the sonorities of Langlais and Durufle then you will enjoy this. The work is paired with an outstanding performance of Duruflé's splendid Suite Op.5. Farr explores the full tonal range of the Blackburn organ in this excellent recording. Sounds Thrilling is an accurate title."
Church Music Quarterly
- "Most organ enthusiasts know David Briggs as one of today's finest organ virtuosos and improvisers, but this release proves beyond a doubt that he's also a great composer for that instrument as well. The symphony presented here was commissioned by the soloist on this disc, Stephen Farr...[Briggs'] seven movement Missa Pro Defunctis symphony is a masterpiece.
Very appropriately the disc is filled out with a magnificent rendition of Duruflé's ever popular "Suite, Op. 5." This release is entitled Sounds Thrilling and, if anything, that's an understatement, because, quite frankly, organ CDs don't get any better than this. The instrument is superb, the performances, exemplary and the sound, to die for!
Bob McQuiston (Tower Washington, DC)
- This CD features the first recording of Briggs's new Symphony for Organ, commissioned by the performer Stephen Farr. The work is a hommage to Maurice Duruflé, inspired by the organ work begun by Duruflé as a Missa pro defunctis, the sketches for which later became the famous Requiem. Just as in the Requiem, Briggs's new work is built upon the plainsong for the Mass for the Dead. The result is a forty minute, seven movement work.
David Briggs's symphony is atmospheric and dramatic....Stephen Farr plays extremely well on the disc; the technical challenges of Briggs's work are brilliantly handled and he gives an astoundingly well controlled reading of the Duruflé. The Sicilienne is beautifully modest and atmospheric....This is worth buying, both for Farr's playing, and because you should judge David Briggs's new symphony for yourself. I am sure it will find many admirers.
Chris Bragg. The Journal of the Association of Anglican Musicians
- Once again, recordings reviewed this month have a personal connection. I was with Lance Andrews (who is Lammas Records) in York during the preparation of this disc, to which the adjective thrilling applies accurately, and 1 have been eagerly awaiting its release. Here we have two large works, one by Duruflé and one inspired by his work.
The Symphony "Missa pro defunctis "was commissioned from the brilliant young British composer David Briggs by Stephen Farr... I find the style consistently compelling, even as it shifts from understated to pleno and from rich tone clusters to engaging cantabile. This 2003 composition should become one of the major virtuoso vehicles of our concert programs.
The companion work is the deservedly familiar Suite, Op.5, of Duruflé Here, as in the Symphony, Farr demonstrates not only a transcendental technique, but an extraordinary affinity for the French style of the period.
The liner includes Farr's own notes, a biography, and extended details about the organ (including the role in its history played by our AAM colleague John Bertalot). Lance Andrews has done an exceptional job of managing the enormous dynamic range with consummate clarity. This recording is simply not to be missed by anyone who loves the idiom.
Victor Hill, Ph.D.
- The organ at Blackburn Cathedral was restored and enlarged at the start of the new millennium and the Lammas team obviously like what they hear as this is the fourth recording they have made that uses the instrument. Sound quality is excellent, the organ seems to be a splendid beast and organ buffs may want to hear this recording to judge for themselves. As for content Stephen Farr chose two associated works. The longer of the two is a "Missa Pro Defunctis" commissioned by him from David Briggs. The work is inspired by the composer's conception of a lost work by Maurice Duruflé (1902-1986), an organ suite he was working on when commissioned to write his Requiem. In form and style it is more homage than pastiche. This new piece is accompanied by a work by Duruflé himself: a "Suite" (Opus 5). If you like Duruflé then I need say little more. The playing is excellent...
crossrhythms.co.uk
John Stainer Crucifixion with choir of Clare College Cambridge, directed by Timothy Brown
Langlais Organ Works
-
"Stephen Farr ... is one of the brightest and most active English recitalists, and he plays with immaculate finish and buoyancy, as well as with a relish for this organ's many colours" (5 stars) (Classic CD)
"Farr's playing is always alert to the textural nuances and timing in Langlais's scores, and his reading of the Cinq meditations sur l'apocalypse is thoroughly enthralling" (5 stars) (BBC Music Magazine)
"The finale (La Cinquième Trompette) is wide ranging emotionally and is given a brilliantly judged performance, of stunning virtuosity, vivid colour, and quite exceptional clarity. This is a disc which every organist should hear...The recording is superb" (Organists Review)
Fiat Lux
Jehan Alain Organ Works, Meridian CDE84282
- "The combination of organ, Stephen Farr's playing and Alain's imaginative music proves to be irresistible. Alain's rhythmic patterns sometimes equal or even exceed Messiaen's in complexity, but Stephen Farr seems equal to any and every demand that the music makes upon him...Definitely a disc to treasure" (Organists Review)
Organ concertos (Stanley, Bach, Hayes, Hook) with London Bach Consort
- "beautifully played by Mr Farr and the London Bach Consort...do add this CD to your collection" (The American Organist)
- "This is a delight...The performances are uniformly excellent and can be warmly commended" (Organists Review)
Walther Organ Works, Meridian CDE84213
"These superbly crafted, invigorating performances, combining youthful vigour and enthusiasm with profound musical insight and technical fluency, offer a persuasive and compelling case for Johann Gottfried Walther's music...Farr displays an intelligent awareness of style, shaping the chorale lines naturally and depending on touch rather than intricacies of registration to portray the musical strands...With Stephen Farr's impressive articulation and obvious sense of fun, these concertos come vibrantly alive" (Gramophone)